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Jon Mark

@JonMark

Disciplines

CalligraphyCeramicsCollageShow 44 Disciplines

Lives and Works

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About

When I was five years old, my kindergarten teacher told my mom that I was “retarded.” Looking back, I can’t say I was surprised. I was the kind of kid who would stand on a train track and watch the train come straight toward me without the instinct to move. When people spoke to me, I would look at them without really listening—like a puppy staring at its owner. I could hear the words, even recognize them, but I couldn’t quite string them together into meaning. When the teacher told my mom her opinion, my mom simply replied, “No, he’s not.” She had seen something different in me. She knew I could sit in front of a device, take it apart, and try to reassemble it. I would disassemble my action figures and put them back together as strange, mutated creations. These things had something in common: I would shut out the world and disappear into the creative caverns of my mind. I went on to live a somewhat normal life, but I never lost the ability to retreat into that creative cavern. The only difference is that now, instead of breaking things apart, I make art. And when I’m in that process, the nostalgic fog descends, and the rest of the world simply fades away.

Artist Statement

These wall-hung, 3D-printed sculptures embody a deliberate contradiction. Rooted in advanced technology, they reflect humanity’s capacity for innovation while simultaneously depicting the natural world—something that exists independent of human intervention. Digitally constructed images are translated into physical, dimensional forms, transforming landscapes that are traditionally untouched by human hands into objects that could never exist without them. This tension between the organic and the engineered highlights the paradox at the core of the work: nature, reimagined through artificial means, challenges our understanding of authenticity, creation, and our evolving relationship with the environment.